About
The Tupinambá of Olivença live in the south of Bahia between the cities of Ilheus, Una e Buerarema. It is a rain forest region of the so called Mata Atlântica that goes from the see up the hills to the mountains region. The Olivença village was founded in 1680 by Jesuit missionaries as an indigenous village. In the late nineteenth century, the Tupinambá people was presumed extinct, due to the restrictive views of official bodies. With the Constitution of 1988 was created the legislative opening required for the recognition of Tupinambá and other peoples.
In the 1990s, there was an escalation in the struggle for the territory demarcation based on a process of “re-taking” the land and the culture stolen from them. In 2001, the Tupinambá of Olivença were finally officially recognized by the National Indian Foundation and the demarcation of the Indigenous Territory was published in 2009. However, this initial demarcation was never approved and now the process is stalled in the Ministry of Justice. The state held three changes in the boundaries, in line with the interests of the big cocoa producers of the region. Several political and institutional forces act to stop the ratification of the territory and the terms established by federal courts are constantly postponed. Today there are over 6,000 Indians living in Tupinambá territory, and they follow in the fight for their territory.
This succinct definition, obviously, is not able to deal with the complexity and the beauty of the wide range of relations that constitute the Tupinambá fight and life. This shallow description has the intention only to locate the Tupinambá people in very succinct way for you who don’t know there story and territory. But this is only one content of this cartography and, in fact it does not make any sense without all the others. The intent here is to talk about the relations that pass trough the Tupinambá life and territory. However, we do not believe and did not have the will that the work presented here, could translate the complexity of what makes a Tupinambá here and now. It’s just a sincere attempt, among many others , to chant life on earth.
This project was conducted with funding from the Brazilian National Foundation for Arts (FUNARTE) in the context of a policy which had the goal to promote aesthetical interactions between contemporary artists and traditional peoples.
Bruno Tarin
Laila Sandroni
Cacique Acauã
Bruno Tarin
Curupaty
Jaborandy
Cacique Jamopoty
Laila Sandroni
Potyra
Sebastian Gerlic
Angel Rodriguez; Cacique Acauã Tupinambá; Bruno Tarin; Carácará Tupinambá; Cauã Tupinambá; Curupaty Tupinambá; Everaldo Pataxó; Fabão Tupinambá; Gerson Tupinambá; Indiara Tupinambá; Israel Tupinambá; Cacique Jamopoty Tupinambá; Jaguatey Tupinambá; Jaborandy Tupinambá; Juraci Tupinambá; Kátia Tupinambá; Katu Tupinambá; Laila Sandroni; Marcelo Amaral; Dona Maria da Glória Tupinambá; Maria Pankararu; Gemerson Tupinambá; Jessi Tupinambá; Jovens da Oca Digital; Dona Nivalda Tupinambá; Pajezinho Marino Tupinambá; Seu Rosalvo Tupinambá; Sara Uchoa; Simone Tupinambá; Tintinho Tupinambá; Seu Zé Tupinambá; Wesley Tupinambá.
Bruno Tarin
Bruno Tarin
Bruno Tarin
Jaborandy
Jaouen Goffi
Laila Sandroni
Bruno Tarin
Laila Sandroni
Art
Bárbara Szaniecki
Bruno Tarin
Gemerson Tupinambá
Laila Sandroni
Pedro Victor Brandão
Our gratitude to all Tupinambá people, specially to the Itapuã, Tamandaré and Tupã villages where we worked specifically
This project was presented to the National Art Foundation (FUNARTE) in partnership with the Indigenous Point of Culture: Massages from the earth – Thydêwá